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Glad you enjoyed! Thank you so much for leaving an actual comment haha! 🙏

Thank you for leaving a genuine comment!

Correct 👍

😂 not a lot of people on YouYube searching for this but I only want people who actually want to improve their storytelling to watch 👌. Appreciate ya man!

It’s pretty noticeable if you’re doing anything high speed or action oriented (cars, sports etc)

I use Davinci Resolve now

@@atdavidlee thanks

4K 120fps at least in the 5K FF Crop mode or S35. A 6:5 or 3:2 Open Gate option. And XOCN-LT

Same!

Facts!

Glad you liked it!

If you need wider than 24, go with the 20. If not, get the 24

For the real time footage I had a focus puller on most of the days. Other days I pulled focus myself

I’m glad the video helped 🙏

Right there with you

Ahhh man thank you so so much! Will definitely let you know when the course is out!

100%! Thank you so much 🙏

LOL LFGOOOO

Heck yeah!

Yeah the CA is pretty noticeable. I was at the Blazar booth at Cinegear this year so putting my order in directly with them I got them the last week of June

I always want those when I watch video reviews haha

Thanks man! Definitely worth a rental for sure

@@atdavidlee I’m doing a pair of spec commercials soon. Would love your opinion! - atlas Orion or mercury - or maybe the blazars. I don’t have anything in my portfolio shot on anamorphic and think the project calls for it!

Neutral

@@atdavidlee Thanks, I watched it again and you did mention that!

That's impossible. An 80mp sensor readout would take sooo much time. Not happening anytime soon. We can barely do 16-24mp now

A7siii is 12.1x4...almost 45mp if you pull back the color filter array. That's what quadbayer is. To make a 6k quadbayer would require just that...over 80mp to start. Fx3, fx6; zev1, a7siii were never a normal 12.1 mp. It's almost like a hardware binning down to make it so fast while keeping some qualities of such high mp....especially low light. You never wondered why the above cameras were so sharp for the mp count and had so much color punch? 6k quadbayer is the latest rumor, though.

Haha, same here, and I’m still on the fence... But I’m convinced that if I sell it for the Komodo X, I’ll regret it since it’s very handy for certain projects (events, documentaries, and long recording as concerts, etc...). I'm thinking maybe instead of replacing it with the Red, I should save up to get it in addition. That way, I’d have everything I need: the FX3 + FX6 for low-budget corporate videos /events / long recordings / and documentaries. And also for those moments when extreme low-light filming is required. But If I add the KX to my collection, I’d have the right equipment for better-budget projects: music videos, commercials / corporate videos, short films, etc...

@@JeanSebastienLEGER Hello, do you feel the Sony FX6 isn't great for films? I'm asking because I am looking to purchase a new camera to elevate the type of work I get. I currently get work as a freelance videographer and editor and I use my Sony a6500. I also work making documentaries and want to get into camera operating for films and narrative projects. Do you feel the Sony FX6 is a good choice? I'm so overwhelmed with the options right now, lol but I need a camera that can do both corporate and narrative well.

@@hannahbyars8080 Sure, you can use it for short and feature films (and more), but for narrative projects, personally I'd choose a Red or a Blackmagic. If the budget allows, renting an ARRI would be ideal. It all comes down to your budget and what you need in your next camera. For example, the Blackmagic 6K full frame or the new Blackmagic Pyxis (basically the 6K FF with a different body design and better battery life) are excellent options. I used to own the Pocket 6K Pro (before switching to Sony), and I really miss its image quality (it was more "filmic"..) If I had to select one versatile camera, it would be the Blackmagic because it powers up much faster than the Red. It's also suitable for documentaries and delivers beautiful images, perfect for both narratives and commercials. While the FX6 is capable of doing everything, I prefer the image quality from Blackmagic or Red. Some people like the Sony aesthetic, but it looks more "digital" to me (and I hate Prores Raw, it's nowhere as good as Braw or Red Raw). Consider that you can buy an used Ursa 12K/Ursa G2 along with a new Blackmagic 6K FF/Pyxis for the cost of a FX6. Alternatively, you can mix brands, like the Fuji XH2S/Panasonic S5IIX/Sony FX3/C70 (for corporate work) paired with the Blackmagic 6K full frame (for narratives and more). To be honest, I did everything with my Pocket 6K Pro (music videos, corporate, commercials, weddings, short films, documentaries, etc.), and it was my favorite camera! I regret selling it... It wasn’t perfect at all (odd body design, low battery life, cheap plastic, slow rolling shutter,...), but the menu, codecs, price, and image quality were exceptional! My Sony cameras are real workhouses, but I don’t use them with the same passion. It's hard to explain 😅. I rented the Komodo for a music video recently and loved it! However, I wouldn’t use it for documentaries (too slow to start, + black shading), but it’s great for narratives, music videos, commercials, and corporate work. Do you need autofocus? Personally, I don’t use it much because I prefer manual focus 95% of the time, even with my Sony cameras. Also, don’t be overly impressed by the dual ISO at 12800-it’s quite noisy... You need to overexpose by two stops to clean up the blacks. I mostly stick to 800 ISO. It's useful for documentaries and low-budget corporate videos, but I never use 12800 ISO for narratives or commercials. The variable ND is what keeps me from selling this camera - it’s magical! I don't think a perfect camera exists yet (that does everything well); some cameras are simply better suited for specific types of projects. For instance, I love using my FX6 for documentaries (and run'n'gun projects such as events, low budget corporate videos,...), so I'll be holding onto it!

Always love your support Nico!

For rooms you won't need a blimp. They're more suitable for outdoor use where there's a lot of wind.

Great question. I look at the camera system that I like personally and then research if it's a camera that is popular on production shoots (corporate, commercial, narrative etc). In the last 4 years the main cameras i've owned that have gotten me a lot of work are the FS7, FX9, FX6

@@atdavidlee I appreciate your advice. It’s looking like Sony cinema cameras are in demand. As a LUMIX user, I am looking hard at investing in Sony’s or Canon’s cinema cameras!

You can google search "sony camera finance" and replace sony with any other camera brand and you'll find the websites. Here's the sony one as reference pro.sony/ue_US/products/broadcast-zero-percent-financing

the FX30 has been a very popular camera!

Welcome to the channel and thank you for sharing when you bought the FX30!